A big section of his outcome is composed of pronkstillevens, the superb study of still lives that were preferred in Flanders, and also the Dutch Republic from the 1640s. Van Child’s job in this style was affected by Jan Davidsz. His blossom garlands disclose the impact of Daniel Seghers. However, conceptually his job is more detailed than that of Jan Davidsz de Heem, who is assumed by some art chroniclers to have been his master. This is, for instance, the situation with the structure Allegory of Human Life (At Walters Art Gallery). Van Child is likewise recognized for his vanitas study in still lives, a category of study in still lives which provides a representation of the meaninglessness of earthly life as well as the short-term nature of all earthly products as well as searches.
A few of his garland paints are vanitas paints. An instance of a religious garland painting is The Virgin with the Youngster inside a festoon of fruit (Prado Gallery). An additional garland paint with vanitas concept is the 3 Putti with Vanitas Symbols within an Embellished Cartouche (At Lempertz on 15 November 2014, Fragrance, Whole Lot 1072), where the normal signs of vanitas likewise show up: a head, soap bubbles, and also opulently shining flower holders which reference the transience of points as well as, particularly, of a wide earthly range. Pronk’s study in still lives is commonly translated as having a vanitas definition. Vanita’s study in still lives of van Kid is noted for the first time in 1666 in Antwerp. A pure vanitas paint is the Vanitas still-life with a head, a handgun, a lute with broken strings, and a groove (At Christie’s on 10 December 2004, London whole lot 59), in which a variety of vanitas signs are shown on a table.
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